In the process of constructing a particular research design, the researcher is encouraged to chronicle the discovery of artifacts. These artifacts are the events, moments, places, people, objects, books, memories, and stories of special significance, that serve as signposts to lead the researcher as well as the audience towards a desired goal. One such artifact is a piece of paper that has been taped to my studio wall since 1996. I was an invited guest on a tour bus heading for a mystery destination to surprise a friend for her birthday. Seated next to me was a young man who I knew very well. He was a musician with his own rock band. Our conversation turned towards the personal matter of how to please God with our respective art forms. His was music and mine was fine art. We both agreed the answer was not exclusively in the subject or object of our particular artform. It was neither lyrics nor the visual. The answer was in the pleasure we received by using the artform itself. What this young man said next, became an imprint fixed in my mind and on my studio wall ever since. “When you thoroughly enjoy the creative process in your expression through art, you experience the pleasure of God.” Later, from the book Our Father Abraham, I added these words by Marvin Wilson. “To enjoy is an opportunity to bring pleasure to one’s Creator.” As an artifact, these words, taped to my studio wall, have been a clear signpost to the ultimate goal of excellence in all that I do as artist, researcher, husband, father, grandfather, et al, and that is to do it all for the glory of God.
“Luminata XX,” by Gerrit Verstraete. 2006. Cat.No.807. Gold point, silver ring, graphite on mixed-media ground on paper, mounted on hardboard, with acrylic glaze, tints and metal powder (27 ½ X 18 ½ / 70 X 47 cm ).
A journal of narratives about the experience of art, critical thought, and the Kingdom of God, as part of a Doctoral program by Gerrit Verstraete, St.Stephen's College, University of Alberta. © 2011,2012. Gerrit Verstraete.
Wednesday, April 18, 2012
Monday, April 9, 2012
Lead me not into temptation
The more I explore the nature and content of my Doctoral studies, I marvel each and every day at the sheer volume of, and ease-of-access, to seemingly endless libraries and other online data services. And I know it’s only the tip of a giant digital and cyberspace technology iceberg. I can now be “in the clouds” without ever leaving terra firma. On my journey as spiritual teacher and artist, I cannot avoid the pressing temptations to be evermore on the cusp of the latest user-friendly, seeker-friendly, and viral strategies, to disciple people and to reach them with my art. But, do we communicate better, or just more? Is social media an oxymoron? Did Jesus mean “follow me on Twitter,” or is there room for a Faithbook to hear His voice? Sometimes the temptations overwhelm me, and find myself in a flurry of signing up and on for every latest app. But, to no avail. The novelty usually wears off in about a month. In ministry, I am very aware that the most recurring problem in relationships is a failure to communicate one-on-one, for which there is no substitute, technology notwithstanding. I seek solitude in my studio and once again find my friends, the humble pencil, a sheet of Stonehenge paper, and my silver and gold stylus to do a metalpoint drawing. There is no app yet to sharpen my pencil and stylus. I am on my own. Lead me not into temptation Lord, to presume hearing You is a complex technologically challenging encounter.
“Living Bones 4: the ecstasy of line,” by Gerrit Verstraete,2012. Cat.No. 1212. Silverpoint on Museum Board mounted on canvas board ( 28 X 22 / 71.1 X 55.5 cm ).
“Living Bones 4: the ecstasy of line,” by Gerrit Verstraete,2012. Cat.No. 1212. Silverpoint on Museum Board mounted on canvas board ( 28 X 22 / 71.1 X 55.5 cm ).
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